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| style="color:#000;" | <div id="mp-tfa" style="padding:2px 5px; width:70%"><div style="float: left; margin: 0.5em 0.9em 0.4em 0;">[[File:Terang Boelan p311.jpg|100px|border|Film poster]]</div> |
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'''''[[Terang Boelan]]''''' is a 1937 film from the [[Dutch East Indies]] (now Indonesia). Written by [[Saeroen]], directed by [[Albert Balink]], and starring [[Rd Mochtar]], [[Roekiah]] and E. T. Effendi, the film follows two lovers who elope after one is nearly forced to marry an [[opium]] smuggler. Shot in the Indies and Singapore and partially inspired by the 1936 Hollywood film ''[[The Jungle Princess]]'', ''Terang Boelan'' was aimed at [[native Indonesians|native]] audiences and included ''[[kroncong]]'' music and several actors from Balink's previous work, ''[[Pareh]]'' (1936). It was a commercial success in both the Indies and abroad (under the title ''Full Moon''), earning 200,000 [[Straits dollar]]s in [[British Malaya]]. This success revived the faltering domestic film industry and inspired films aimed at [[Malay people|Malay]] audiences in Malaya, creating a formula of songs, beautiful scenery and romance that was followed for decades afterwards. Modern critical reception of the film, which has been [[lost film|lost]] since at least the 1970s, has generally been positive. The Indonesian film historian [[Misbach Yusa Biran]] described it as a turning point in the history of Indonesian cinema for its catalytic effect on the industry's growth. ([[Terang Boelan|'''Full article...''']]) |
'''''[[Terang Boelan]]''''' is a 1937 film from the [[Dutch East Indies]] (now Indonesia). Written by [[Saeroen]], directed by [[Albert Balink]], and starring [[Rd Mochtar]], [[Roekiah]] and E. T. Effendi, the film follows two lovers who elope after one is nearly forced to marry an [[opium]] smuggler. Shot in the Indies and Singapore and partially inspired by the 1936 Hollywood film ''[[The Jungle Princess]]'', ''Terang Boelan'' was aimed at [[native Indonesians|native]] audiences and included ''[[kroncong]]'' music and several actors from Balink's previous work, ''[[Pareh]]'' (1936). It was a commercial success in both the Indies and abroad (under the title ''Full Moon''), earning 200,000 [[Straits dollar]]s in [[British Malaya]]. This success revived the faltering domestic film industry and inspired films aimed at [[Malay people|Malay]] audiences in Malaya, creating a formula of songs, beautiful scenery and romance that was followed for decades afterwards. Modern critical reception of the film, which has been [[lost film|lost]] since at least the 1970s, has generally been positive. The Indonesian film historian [[Misbach Yusa Biran]] described it as a turning point in the history of Indonesian cinema for its catalytic effect on the industry's growth. ([[Terang Boelan|'''Full article...''']]) |
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Revision as of 14:51, 7 May 2024
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